Friday, January 31, 2014

The Beautiful Square


Square format photography




This article is written by Andrew S. Gibson, the author of Square, on sale now at Snap N Deals for a limited time.



The square format seems to have gone in and out of fashion over the decades - and there's no doubt that it's currently experiencing a resurgence in popularity. This is at least partly due to the popularity of toy cameras like the Holga and smartphone apps like Instagram. But it's also got a lot to do ease of access. With film cameras, cropping aside, the camera you purchased determined the aspect ratio you worked in. With digital cameras you can take a photo and crop it to any aspect ratio you desire. That makes working in the square format a whole lot easier.


84 years of history


The first square format camera was made by Rollei in 1929. Square format cameras have been used by venerable names such as Richard Avedon, Irving Penn and Diane Arbus. Hasselblad, the mark of choice for many professional photographers in the film age, used the square format in its film cameras from 1948 to 2002. There are no current digital cameras (to my knowledge) that have a square sensor. But digital photography makes it easy to crop your images to any aspect ratio you want.



By the way, it's well worth taking some time to study the works of the masters mentioned above. It will teach you a lot about composition, and hopefully inspire you to try out the square format. Click on the links to learn more about each photographer:



Square format photography




Richard Avedon was known for his stark, minimalist portraits. His approach changed the way fashion photos were taken forever. The first image in this article shows Avedon using a Rolleiflex camera.



Irving Penn is another famous fashion photographer who used minimalism and the square format to make his mark. His photos are known for their formal, graphic composition and stark use of white space.



Diane Arbus took the opposite approach to that of photographers like Irving Penn. She photographed outcasts and people on the margins of society, celebrating the ugly and unusual rather than the beautiful.



If you'd like to see the work of some of the modern exponents of square format photography, then take a look at my article 40 Beautiful Square Photos. I've collated a series of beautiful images from some of the best photographers around today.


Using the square format


Hopefully the above links have whetted your appetite for the square format. There are four main ways you can explore this aspect ratio:



1. Use a medium format film camera. These can be surprisingly inexpensive on the second-hand market. Look for brands such as Rolleiflex, Mamiya, Bronica or Hasselblad. Get the best quality scan you can of the negatives so you can work on them in Photoshop.



2. Use a toy film camera like a Holga. Again, a good quality scan is essential to make the most out of the negatives. If you don't want to use film you can buy Holga lenses for digital cameras and crop the image to a square. That's how I created this image:



Square format photography




3. Use a smartphone camera and convert the photos to square format using an app like Instagram. Another approach is load photos that you already have taken onto your phone or tablet and run them through Instagram. I used that method to create this photo:



Square format photography




4. Use a digital camera and crop the images to the square format when you process the Raw files. Many recent models let you take square images in Live View. I'm sure this is the method that the majority of readers of this website will use.


The appeal of the square format


I think of the square format as the fine art photographer's format. It has a venerable history and has been used by some of the great names of 20th century photography. Now, in the digital age, photographers are using the square format in fields as diverse as long exposure photography and iphoneography. Here are some more reasons that I like the square format:


  • It changes my approach to composition. The square format is different, and there seems to be a certain inherent beauty to well composed square format photos that other aspect ratios lack. Shapes become more prominent, there is little wasted space and the balance between the elements changes. The subject of composition within the square format is so interesting that I will write an entire article about it.
  • It works well in black and white. There's something magical about the combination of black and white and the square format. The lack of colour lends emphasis to graphic shapes and textures within the frame.

Square format photography



  • The square format seems to suit certain subjects. It seems to work best with subjects like portraits, the nude, landscape, still life, architecture, details and abstracts. These are all artistic subjects, and they all work well in black and white - which is perhaps why the square format is popular with fine art photographers.
  • It's fun. I enjoy going through my old images and seeing which ones can be improved by cropping to the square format. It may seem like an abstract exercise but it has taught me a lot about composition. Thinking about whether an image could be improved by cropping to a square makes me thing about whether I composed the image in the best possible way in the first place. Here's an example. Cropping the image to the square format, and placing the flower in the centre of the frame, has created an new image with a different dynamic.

Square format photography




Square format photography



Conclusion


If you've never used the square format before, it's well worth the effort. It's so easy to crop your existing images in Lightroom or Photoshop that anyone can try it. It can give new life to old images - and the process will teach you a lot about composition and the use of space within the frame.


Square


Square format photography




My ebook Square explores the square format from the digital photographer's perspective. It shows you how to use the square format on your camera, and how to make the most out of what I think of as the fine art photographer's format.It's available now at Snap N Deals for a special price for a limited period.



Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.



The Beautiful Square


Photographic Lighting [Book Review]


Photographic Lighting


If you're looking for a book that takes you through the mysteries of natural light, shadows and highlights ... this is not the one.



Instead, it gives:



'Expert advice on the basics of on-camera and off-camera flash photography. Professional guidance on choosing flash equipment and accessories. Advice on setting up a photographic studio in the home. Tips on postprocessing techniques to get the best results from flash photography.'



And not a moment too soon for many people. Let's face it, flash is one of the most misunderstood and misused technologies in photography. Bar none!



And then again, you wouldn't put a raw amateur into a situation where he or she has access to a battery of studio lamps. Even more chaos.







The book's chapters:


  • The basics
  • On-camera flash
  • Off-camera flash
  • Using off-camera flash
  • The home studio
  • Putting it into practice
  • One speedlight, 13 looks
  • Postprocessing

The help begins in the first chapter by spelling out the basics of flash: Guide numbers; on camera TTL; the inverse square law explained; reading a histogram; white balance; the RAW format explained; using on-flash colour gels. And we've only touched on the basics.



Although the book is relatively small, I was surprised at the depth of info passed on within its pages.



By the time we reach the second chapter we begin to learn how an on-camera flash is set up, power output, battery needs, operational modes, use of diffusion and bounce operation, shutter sync etc.



Matters get even more serious when author Harrington explains 'Getting the flash off your camera is one of the best things you can do to advance your photographic skills.' Hear, hear! He goes on to describe the various accessories such as boom arms, flash umbrellas etc. One very useful section recommends using a dummy styrofoam head (purchasable from art supply stores) to run test sessions on how to light a portrait.



Actual off-camera flash shooting situations are discussed and mention is made of some interesting devices which may help: such as Radio Poppers and Pocket wizards that can fire your flash from a distance with no need to use a connecting PC cord.



Also touched on are convertible flash umbrellas: these can be used in a reflective style or in shoot-through style; when used as originally intended, the former can deliver 'beautiful contrasty light ...', while the latter allows you to shape light 'and add or subtract softness.'



The degree of detail in the book is admirable and, IMHO, would take the photographer up a notch or two in skills level.



With each chapter there are multiple illustrations to support the text of sufficient size and quality that you quickly see what the info is all about.



Another chapter on choosing lenses will be of help when expanding your optical arsenal. Take heed: 'buy the best you can afford until you can afford better.'



And then, right in the middle of the book is the sage advice that 'Film is not dead.' This is supported by the advice to play around with fun film cameras like the Holga and its ilk.



Creativity is foremost in the book's pages, with ideas on how to extract the utmost, even when flying with one engine, or even one flash and one reflector.



An important factor in any photography and most especially with flash is post processing; the book deals with file formats and software choices and then gets into detail on white balance as 'one of the main reasons photographers shoot in RAW format.'



A pair of pop out hint cards at the back of the book suggest the maximum shooting range, f stop, shutter speed and ISO setting with varying flash Guide Numbers.



All in all, a very useful, pocketable guide book.



Author: R Harrington.
Publisher: Ammonite Press.
Size: 18x15x1cm.
Length: 192 pages.
ISBN: 978 1 90770 875 6.
Price: Get a price on Photographic Lighting at Amazon (currently 23% off).



Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.



Photographic Lighting [Book Review]


Thursday, January 30, 2014

Living Landscapes: A Guide to Stunning Landscape Photography


Landscapes cover


Today I'm very excited to announce the launch of an eBook that we've been working on all year at dPS HQ. It is called Living Landscapes: A Guide to Stunning Landscape Photography - an eBook authored by New Zealand Landscape Photographers Todd and Sarah Sisson.


The eBook We Just Had to Release


Before this release we've built up a library of 12 dPS eBooks but the one request we keep getting from readers has been for a Landscape Photography guide.



I've long wanted to publish one as Landscape Photography was my own first love but have been waiting for just the right photographer to author the eBook.



I'm glad I waited because at the beginning of last year I stumbled on a Google Hangout with Trey Ratcliff which Todd Sisson. I was impressed with Todd for a couple of reasons.



Firstly his photos were gorgeous - I got lost for a good hour or so looking through his portfolio.



Secondly Todd was a great communicator. He was funny, personal and even on that short Google Hangout I learned a thing or two about shooting landscapes.



Todd and I began to talk about a potential collaboration on this eBook last year and as a result of that initial conversation he guest posted here on dPS with a post called Composing Dynamic Landscape Images. That post was our 3rd most popular post on the site in 2012 and helped hundreds of thousands of people improve their Landscape photography.



This showed us the need for a more comprehensive guide to shooting landscapes and so Todd - and his wife Sarah who is also an accomplished landscape photographer - began to work on creating this guide.


Informative and Inspiring - You'll Love It!


The result is a gorgeous eBook filled with some amazing photography - it is going to inspire you - but also some really practical tips from Todd and Sarah.



They write this guide in a very down to earth and personal way which will be accessible to those just starting out but also helpful to those who've been shooting landscapes for years.


What You'll Discover in this 130+ page eBook


Here's some of what you'll find in Living Landscapes:


  • How to simplify the process of making engaging and technically proficient landscape images.
  • How to overcome the unique challenges that landscape photography presents.
  • The 4 landscape fundamentals that turn bland into beautiful.
  • Workshops and guided tours of some amazing landscape images.
  • A straight forward explanation of the gear you need.
  • Landscape specific post-processing techniques.
  • Advanced tips and techniques specific to the following landscape photography topics: mountains, water, bush and forest, black and white and panoramic stitching.

Grab Your Copy Today and Save 33%


I LOVE this eBook and am so excited to practice what I picked up in it in an upcoming family trip. I'm also looking forward to seeing the images that our readers take as a result of reading this eBook.



Living Landscapes is available for you to purchase and download right now at the special Early Bird Price of $19.99 - a 33% discount on it's regular price.



Want more information about this eBook? Get the Full Lowdown Here. Or grab your copy by hitting the 'download it now' button below.


download_it_now_landscapes






Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.



Living Landscapes: A Guide to Stunning Landscape Photography


Start Feeling GOOD About YOUR Photography


As I've begun teaching others how to edit their photos I've begun to realize that a lot of new photographers lack the confidence in their own work. I get questions like "Why don't my photos look like this?" or "Should I buy a D800 so I can take better photos?" all the time and I'm starting to wonder if it's simply because people don't feel good about the work that they do create.



I'll be the first to admit that I'm my hardest critic, but I do always feel good about the photographs that I share, even if I wish I'd done something differently I am always happy that I got a result and gained some experience in the process.



Dragonfly-Watching-Sunset-518x650




Of course, it can be pretty obvious why people might feel this way when you think about it. After all the internet is filled with amazing photographs, just look at any of these inspirational posts on DPS and unless your one of the featured photographers you might wonder how you too could get to that level.



The simple answer is... First you have to feel good about your photography, because the instant you start doubting your own work, your work will start to suffer.



Of course that's easier said than done, so confronted with these questions about confidence, I decided I'd take the time to come up with five little nuggets of inspiration that everyone should keep in mind. By doing so I think you will start to feel good about your photography no matter who or where you are in your journey.


Compare Yourself to Yourself Three Months Ago - Not To Art Wolfe


No matter who you are the best benchmark for improvement is yourself in the past. Take a minute and dig through your archives look back at the photos you took three months ago, a year ago, or even further.



When I do this task I'll notice that my composition and my choice of settings continue to improve. I make smarter choices for focal points and I get better and better at picking the right exposure in camera. Whatever you do don't compare your photography to another photographer's work - good or bad - it's not a fair benchmark and you won't be helping yourself appreciate your work.


Defeat Gear Envy


Gear envy is something we all struggle with from time to time and unless you've been blessed with that mythical tree made of money you're going to be doing more wanting and less buying. Don't let the idea that a better camera, lens, accessory, gadget or what-have-you will make you a better photographer - it won't - and worrying about it won't help either.



Be happy with what you have and spend your time learning to get the best photos that you can out of this equipment instead of daydreaming about your dream machine - your wallet will thank you later.



Out-in-the-Backyard-520x650



Beat the Critics By Remembering Your Fans


Even if the only fans you have are your friends and family let them be your motivation to continue to produce more work and better quality work. Let them move you beyond the point your at now and push you to where you want to be. Be happy with every like they give you on Facebook or every comment they leave on your site - or even - every time your mom tells you that she got your newsletter and loved the photo of that flower that you took at her house last weekend.



Fans are why I do what I do and I still remember when my Facebook page had less than 30 likes and almost no interaction. It takes time and a lot of work to grow, but if you're consistent, true to yourself, your fans, and always remember it's not a race you'll start to feel good about what you're doing and then the rest will fall into place.


Know Why You're Photographing


Are you taking photos because you want to pass time on the weekends, record family moments, or are you trying to make a career out of it? There many reasons why we take photos and before you can truly be happy with the results you capture you should define why you're picking up the camera in the first place.



A-Fantasy-World-521x650



Share Your Work


And finally - this is probably the most important one - share what you do. Open yourself up to the world and let others see the what you've captured. Take the critiques with dignity and class and revel in the compliments from your fans and family.



If you need a stiff kick of inspiration here are some tips to help you get the confidence to share your photos I wrote for my own site a few months ago. The truth of the matter is the more you share the more you'll improve and the more you improve the more you'll be able to look at step number one and say - "Wow, look at how far I've come!".



And that is what feeling good is all about.



Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.



Start Feeling GOOD About YOUR Photography


Wednesday, January 29, 2014

Must See Concept Art by Stepan Alekseev


001 concept art stepanalekseev Must See Concept Art by Stepan  Alekseev



Below, you may scroll through 25 quality character illustrations created by Stepan Alekseev, a 25 years old digital artist based in Yakutsk, Russia. For more, follow the link at the very bottom. Enjoy!



002 concept art stepanalekseev Must See Concept Art by Stepan  Alekseev



003 concept art stepanalekseev Must See Concept Art by Stepan  Alekseev



004 concept art stepanalekseev Must See Concept Art by Stepan  Alekseev



005 concept art stepanalekseev Must See Concept Art by Stepan  Alekseev


/>More Images



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Creative Street Art Works by OaKoAk


1357653969 20 640x448 Creative Street Art Works by OaKoAk



French artist OaKoAk, of whom very little is known, except that he likes to decorate the streets of many cities in France, easily cheers up passersby with his drawings.



1357653859 1 640x480 Creative Street Art Works by OaKoAk



1357653896 3 640x480 Creative Street Art Works by OaKoAk



1357653907 4 640x424 Creative Street Art Works by OaKoAk



1357653903 6 640x456 Creative Street Art Works by OaKoAk



1357653904 9 640x423 Creative Street Art Works by OaKoAk



See more on weezbo.com



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